I Draw Slow
Whelanslive.com presents I DRAW SLOW
Launching Souvenirs, the second release from I Draw Slow's third album,
White Wave Chapel And guests
Friday 22nd August 8pm
TICKETS €13 incl booking fee on sale now..
Dublin roots band I Draw Slow have been drumming up enthusiastic reviews in Ireland since the release of their top 10 selling second album, Redhills. Irish national broadcaster RTE made Redhills album of the week and Redhills has been welcomed to the playlists of stations across the country. However, their impact abroad is redrawing the map for these Irish/Americana songwriters.
I DRAW SLOW’s soon to be released 3rd album, WHITE WAVE CHAPEL is a creative progression for I DRAW SLOW. The sound is rooted in the style of the Appalachian Mountains and draws on the traditions of Irish music while incorporating all that’s great about modern Americana. I DRAW SLOW have created a whole new songbook of stories and melodies with this album. It features tales of dark and light, of debauchery and love, of trouble and joy that are sure to become firm favourites with their growing fan base at home and abroad.
They have been described in the UK press as “American top league equivalents” destined “to blow the opposition away”, drawing favourable comparisons with Gillian Welsh and Alison Krauss. The band has played to audiences in the UK, Germany, Denmark and Belgium and started 2012 with a performance with the Legendary Béla Fleck and the Flecktones and an appearance at the Celtic Connections Festival in Glasgow Scotland.
I Draw Slow is a five-piece outfit comprising vocals, guitar, fiddle, banjo and double bass. Holden siblings Dave (guitar) and Louise (vocals) have been writing together for two decades. In 2008 the pair teamed up with Violinist Adrian Hart, Claw hammer banjo player Colin Derham, Double bassist Konrad Liddy to form I Draw Slow
The Sound: Alt-country, folk, roots, old-time, Americana The five have created a new sound, rooted in the old time style of the Appalachian Mountains, drawing on Irish traditional music and modern Americana. However, this is a whole new songbook of stories and melodies. These are dark tales of debauchery and trouble swinging from the kind of well-crafted melodies that survive.